Cloven hooves batter the door,
splinters of wood pierce the darkness. A stink of greasy fleece and the
pungency of urine underscore the tympanic discord of bone against metal. I herd
my unconscious, hurry it until I wake and know I am once corralled in insomniac
isolation. Outside, ewes heavy with lambs have come down off the mountain
driven by cravings. Their solid skulls knock over dustbins, lids roll like
cymbals and potato peelings are strewn edible runes. In the pre-dawn street of
my childhood, wandering sheep prophesied a future of sleeplessness.
Since then I have watched
countless dawns grow munificent gold with the alchemy wasted, and the promising
returns of day short changed by my miserly greed for sleep. Throughout nights
deprived of that coinage, I have tuned in to the world Service and via an ear
piece, assimilated shipping, weather and monetary forecasts along with the
breaking news. This in turn has subliminally enriched my subconscious with
vivid landscapes and exotic leading roles. In such times the currency of dreams
inflated, and I hoarded it to barter with a reality bankrupted by fatigue.
www.refugeeweek.org.uk
I have always loved this poem by Robert Frost.
Acquainted With the Night
I have been one acquainted with the night.
I have walked out in rain—and back in rain.
I have outwalked the furthest city light.
I have looked down the saddest city lane.
I have passed by the watchman on his beat
And dropped my eyes, unwilling to explain.
I have stood still and stopped the sound of feet
When far away an interrupted cry
Came over houses from another street,
But not to call me back or say good-bye;
And further still at an unearthly height,
One luminary clock against the sky
Proclaimed the time was neither wrong nor right
I have been one acquainted with the night.
Acquainted with the Night
Lisa Russ Spaar - Editor
This Anthology “brings together Emily Dickinson and Elizabeth Bishop, Rimbaud and Sappho, Shakespeare and Shelley—the great poets of the Western literary heritage—on a theme with which each one has been acutely familiar. Lisa Russ Spaar has also unearthed ruminations on the sleepless nights of poets the world over: in a fascinatingly diverse anthology, she has harvested verse from Russian, Chinese, Japanese, Inuit, Vietnamese, Tamil, Yiddish, and Romanian poets, who together present an illuminating display of insomnia’s extraordinary and enduring legacy in widely different cultures through the centuries. As these exquisite poems chart a course from solitude, through anxiety, to epiphany, the reader truly learns what it means to be acquainted with the night”.
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