Monday, 7 July 2025


 

Transitionary Edges





Standing on the edge of a piece of land I love, brought there perhaps by a sunrise or sunset. Surely brought there by the pure strength of feeling I have at being present - where the force of its presence and my presence meets. But I can't stay here - I must move on to another present and presence.

I've been thinking about the feeling that builds in me around such times of change - like a gathering of  swallows - dipping and skimming, restless, readying themselves to leave. It's a meshing of wanting to stay, with the inevitability of having to go - an uncomfortable place that I have to sit with until my internal compass needle recalibrates. I name these feelings transitionary edges - where the sadness around loss and disconnection meets the hope of new possibilities. These edges of transition are real places for me, and it has helped me to name them, to inhabit them and to move on from them.

Sunday, 6 July 2025

Fireflies





Fireflies -  the brief luminosity of any meaningful moment. Sometimes the hard edges of friendship bring us to difficult questions.



Fireflies

Fireflies in Central Park
brought me home 
along a night time path.
This city, so familiar, 
held me as a stranger
in a darkness brought on itself
and on our separate lives.

And where was home then?
Thirty seven floors up
into the sky's wilderness,
where the floors shook slightly,
and the woods of Wales
were miles away
from the East River.

Have we come so far 
from the fire we set and sat
with through the years?
Are we, oceans apart, 
picking the bones
of what is dead, or blowing
to life what is left in the ashes?

JT



Sunday, 9 July 2023

Online Workshop with Jill Teague

       

        Letting the Wings Unfold



An Online Writing for Wellbeing 

Workshop with Jill Teague


During this workshop we will use a range of poetry and visual images, referencing the characteristics and aspects of the life cycle of birds as metaphor - giving ourselves the freedom to explore, experiment, and expand our creativity.
 
The workshop will be delivered via Zoom and will provide the opportunity for small and whole group discussion.

 Sunday, July 30th, 2023
 2-5pm (UK time) please check own time-zones*
 Fee: £45
 
*If this time-zone does not work for you (e.g., Australia/New Zealand) but you are interested in attending a suitable time, please register an interest. 

For booking information or for further questions, please email 
jillteague@yahoo.co.uk
 


Wednesday, 24 November 2021

Undreamed Of

                                                          Bal Maidens - Cornwall


                                           

The first lines of D H Lawrence's poem "Terra Incognita" reads - "There are vast realms of consciousness still undreamed of/vast ranges of experience, like the humming of unseen harps."

I set myself a ten minute writing exercise with "Undreamed Of" as my starting point. 

Those blinkered pit ponies that my paternal grandfather cared for down in the pitch black, both he and them released onto the mountains for just two weeks of the year. The Bal Maiden bonnet that his daughter wore as she crushed the copper from rocks in all Cornish weathers.

How to come up from the dark? How to  see through the wide angle lens of life when your eyes are sealed with your fate? How to rise from the ash and the dust? How to rid the mouth of the bitter bile, to find a voice in the the turmoil of survival, while grinding a living from the bones of dead matter.

Who was it that said dream small but live large? 

Undreamed, unlived - that's the way to madness. 

A woman grasps the edge of her kitchen sink as the grey waste water drains away, and says, "I regret..."

Come up from the dark. Come in from the cold. Come forth into at least some sort of light that flashes and cracks the bulbs of despondency.

No to the pinhole camera of a life. In obscura.


Thursday, 28 January 2021

Missing Pieces


 

I bought this jigsaw puzzle a few years ago from a charity shop. When I put it together I found that it had a piece missing, just by wren's throat. This reminded me of the many hours I'd spent with my parents as a child, completing jigsaw puzzles. Every time, my father always hid one piece, so that I always thought there was a final piece missing. After a few moments he'd reveal the piece he'd been keeping in his hand, so pleased with himself that I'd fallen for his trickery one more time. 

Yesterday I decided to put the puzzle together again. It has sat in its box on a shelf since the last time, so I was surprised to to find a second piece missing, this time from the outer circle. This is another level of incompleteness. The circle will never be whole. And yet I feel fine with the imperfections.

The wren was revered by the Celts, who admired its fastidiousness and were inspired by its song. The symbolic meanings of wren include freedom of spirit, joy and connection. Wren reminds us that it's the quality of the relationships that we forge that enriches our lives. What does a missing piece or two of a jigsaw matter when you have spent time with those you love completing the bigger picture?

I wrote this poem after the first time of doing the puzzle with my partner.



Wren Jigsaw

From the start I'd said there could be pieces missing.
We went ahead, unmoved by incompletion. Just let
her eye be whole, you said. 

And so the bird grew in her frame of green and grey.
What I remember most is your small hand holding
the pieces, our fingers brushing.

The wren held us in time, gathering  and garnering
to make her complete, as she in her own world would
do with song and nest.

You found her eye, put it in place. The missing piece
was at her throat, and yet she sang out unaware one
part of her was lost.







Monday, 26 October 2020

WINTERING - How we survive and thrive in challenging times


A four­-week online writing course

with Jill Teague

outofthebluewriting

 

November 09 - December 06, 2020

Cost: £125


'In the middle of winter I at last discovered 

that there was in me an invincible summer' 

Albert Camus


 

Using Katherine May’s latest book “Wintering” as inspiration, and Winter as a metaphor, we will use poetry and visual images to explore ways and means of supporting our mind, body and spirit, through “wintering” - those challenging times that are a natural and inevitable part of being human. 

(NB the book is not required reading for the course)

 

     The course will comprise of:


 -  Weekly resources and writing prompts via email with the opportunity to  share your written responses with the group


  -  Weekly 90-minute group sessions via Zoom, where we will come together to write, discuss and share


  -  PDF Workbook at the end of the course

 

Work at your own pace, in a supportive and creative forum. 

Previous experience is not necessary, just an open heart and mind.

 

 

For further information and to book a place, please contact me at jillteague@yahoo.co.uk


 

Sunday, 15 December 2019

The Family of Things

“Untitled” by Kim Whan-ii


There is something deeply poignant about the call of wild geese as they fly overhead. I am brought back to the breath of a present moment by their haunting cries. With outstretched necks, muscular with the desire to be elsewhere, the sight and sound of these geese reaches a visceral place inside. I am moved by such strength and determination.

I also admire their solidarity. Their flight formations enable the intense effort involved in migration to be shared out for the benefit of the whole flock. And if a single goose comes down to land, whether from exhaustion or sickness, two other geese accompany it. They will wait there with it until it recovers or dies. 

In Mary Oliver’s poem “Wild Geese” she speaks of how, through the call of the wild geese, the world offers itself to our imaginations. It is often through a connection with nature, through its unwavering mirror, that I find my authentic self reflected. And at this current time -  a time that feels particularly divisive, it is vital for me to be clear about who and what I feel connected to.